The Comparative Analysis of Short Stories: Isaac Asimov’s True Love and Anton Chekhov’s the Darling

Authors

  • Saidatun Nafisah Universitas Indraprasta PGRI
  • Iwan Budiarso Universitas Indraprasta PGRI

DOI:

https://doi.org/10.60012/cje.v4i2.240

Keywords:

A comparative analysis, True Love, The Darling, Love

Abstract

The purpose of this study is to compare the intrinsic elements of two short stories: True Love by Isaac Asimov and The Darling by Anton Chekhov. Both authors are of Russian descent but were born in different eras. The compared elements include plot, setting, characters, point of view, and theme. The research employs a descriptive qualitative method, utilizing quotations from the two short stories as data. The findings, presented descriptively, reveal that both literary works utilize a progressive plot pattern. True Love is set in modern times, whereas The Darling takes place in late nineteenth-century Russia. The main character in True Love is a single man named Milton, while The Darling features a single woman named Olga. Both stories employ a third-person point of view; however, True Love uses a limited omniscient perspective, while The Darling utilizes an omniscient perspective. The stories share the central theme of seeking love, portraying it as a fundamental human need while questioning it as an uncomplicated source of fulfillment. Asimov utilizes science fiction and technological irony to explore whether love can be calculated, while Chekhov uses repetition, characterization, and irony to highlight the fragility of an identity based solely on emotional attachment. Ultimately, the comparison demonstrates that despite differing historical and cultural contexts, both stories converge in questioning what happens when the pursuit of love replaces the development of an autonomous self.

References

Abrams, H. M. (1999). Glossary of Literary Terms, 7th edition. United States of America: Heinle and Heinle.

Endraswara, S. (2011). Metodologi Penelitian Sastra Bandingan. Jakarta: Bukupop.

Damono, S. D. (2005). Pegangan Penelitian Sastra Bandingan. Jakarta: Departemen Pendidikan Nasional, Pusat Bahasa.

_____________. (2013). Sastra Bandingan. Pengantar Ringkas. Tangerang Selatan: Editum.

Klarer, M. (2004). An Introduction to Literary Studies. Second Edition. New York: Routledge.

Kurnianto, E.A. (2016). Dua cerita rakyat dalam perbandingan. Mlangun Jurnal Ilmiah Kebahasaan & Kesastraan, 12 (2), 533-546.

Noor, R. (2010). Pengantar Pengkajian Sastra. Semarang: Fasindo.

Nurgiyantoro, B. (2000). Teori Pengkajian Fiksi. Yogyakarta: Gadjah Mada University Presss.

Sanger, K. (2000). The Language of Fiction. London: Routledge.

Sweetland, R. (2020). Elements of Story of Fiction – Character, Setting, Plot, Point of View, Style, Tone, Theme. Accessed on 21st of June 2020 from http://www.homeofbob.com/literature/genre/fiction/ficElmnts.html

Wellek, R. and Austin W. (1989). Teori Kesusastraan. Terjemahan Melani Budianta. Jakarta: Gramedia.

Ningtyas, W.A., Permanaludin, U., and Sulaeman, D. (2019). Comparative study on the intrinsic elements of the Hobbit novel and movie script. CALL, 1 (1), 33-39.

Downloads

Published

2026-07-31

How to Cite

Nafisah, S., & Budiarso, I. . (2026). The Comparative Analysis of Short Stories: Isaac Asimov’s True Love and Anton Chekhov’s the Darling. Candradimuka: Journal of Education, 4(2), 147–158. https://doi.org/10.60012/cje.v4i2.240